Good god, I treasure Media Blasters! Every time you turn around, these guys are unleashing yet another deplorable classic from years gone past. It seems that most of the stuff they release are Japanese anime flicks, a genre I haven’t gotten into in a serious contrivance yet, but they also acquire determined to release tons of gooey gorefests that send anxiety fans into paroxysms of joy. And they go out of their intention (usually) to stuff the disc with plenty of supplemental materials like trailers, interviews, and commentaries. That doesn’t sound like a mammoth deal since lots of DVDs today fill extras, but it’s a lot easier to salvage someone like Oliver Stone than it is to declare the whereabouts of Ruggero Deodato or Umberto Lenzi. Heck, these guys actually locate cult favorites like George Eastman and Ivan Rassimov in order to interview them on camera! If you fancy films that delve deep into the inner recesses of shock cinema, Media Blasters is the area for you. And one film that definitely plumbs the depths is Umberto Lenzi’s 1980 gutmuncher “Mangiati Vivi,” better known as “Eaten Alive.” Forget about Tobe Hooper’s lame alligator flick of the same name; this one is the accurate deal.
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“Eaten Alive” is one of the sicker entries in the worthy beloved cannibal genre. Helmed by the director responsible for the massively piquant giallo “Seven Blood-Stained Orchids,” “Mangiati Vivi” follows the exploits of one Sheila Morris (Janet Agren) as she attempts to collect out what happened to her sister Diana (Paola Senatore) . Dear Diana fell in with a Jim Jones knock off named Jonas (Ivan Rassimov) and fled to Unique Guinea with all of her money. At first, we don’t know anything about Morris’s quandary, but we do know something isn’t quite moral in Original York City. The film opens with stock footage of the Sizable Apple as we search for a native murder some guy with a blow spin coated in poison. A few more terrible souls eventually suffer the same fate, which stymies the best efforts of Current York’s finest. Then Morris arrives on the scene and hooks up with Professor Carter (Mel Ferrer, who also appeared in Hooper’s “Eaten Alive”! What are the chances? ), a guy who seems to know all about natives, poison darts, and Jonas. He directs Sheila to Jonas’s compound somewhere in Asia, and also puts her in contact with American expatriate Note (Robert Kerman), a guy who will wait on score Diana Morris for the moral impress.
What follows is pure Italian sleaze as Note and Sheila tramp through the jungle to rep Jonas’s compound. After a short conclude off at an abandoned village, where the two nearly perish in a noxious encounter with a cobra, they finally stumble into Jonas’s “purification village.” Then the film gets unfriendly. It doesn’t occupy too long to examine that Jonas is an unbalanced cult leader who will terminate at nothing to protect his flock from outsiders. There’s also a tribe of perilous cannibals nearby, a tribe that nearly finished off Stamp and Sheila on their trot into the village. Jonas and the cannibals don’t acquire along at all, but there is a support to having a bunch of flesh eaters hovering around the perimeter; they retain the followers in a perpetual residence of horror, which keeps them inside the camp for further mind control fun and games. How does Jonas preserve his followers in line? He makes them drink some sort of juice that turns them into mindless automatons, for starters, and then moves to the tried and suitable methods of torture, execute, and banishment of dissenters into the cannibal camp. Soon, Sheila Morris falls under Jonas’s outrageous enchantments, leaving it up to Effect and Diana to conception the inevitable speed.
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It’s a bit frustrating to review a film like “Mangiati Vivi” because you can’t talk in depth about the atrocities. Lenzi throws out a bit of everything, not only recreating the Jim Jones massacre on a dinky scale, grape kool succor and all, but also subjecting us to cannibal atrocities. The final scenes, with Diana Morris and cannibal film regular Me Me Lai falling prey to the cannibals, ranks factual up there with anything you view in Deodato’s “Cannibal Holocaust.” And for expedient reason–because Lenzi STOLE chunks of it from Deodato’s “Jungle Holocaust” feature. He also borrowed footage from Sergio Martino’s “Slave of the Cannibal God.” Oops. Plagiarism aside, this stuff is so deeply disturbing and shockingly realistic, at least in definite parts, that one boggles over how something like this ever got made. The retort probably lies in the fact that these movies largely appeared in the 1970s, a time when almost anything went in cinema. There’s no map something like “Mangiati Vivi” would play in theaters today, and definitely no device that Lenzi could derive financing for such an gross film. If anybody in Hollywood tried to pass this one off on a studio, his or her career would permanently suffer.
Extras on the disc include interviews with Robert Kerman, Ivan Rassimov, and Umberto Lenzi; poster and film stills; and five awesome trailers for such schlock classics as Bruno Mattei’s “Zombi 3,” “Zombi Holocaust,” “Jungle Holocaust,” “Zombie 4,” and “Mangiati Vivi.” Listening to these interviews is a lot of fun, especially Robert Kerman’s. I would never have suspected that he went on to a lengthy career in the adult film business after this movie! Unfortunately, Rassimov’s talk is less fascinating because he doesn’t seem to remember worthy about making the movie. If you feel like jumping into the gory cannibal genre, you will derive plenty here to wet your whistle. Accomplish certain to look “Cannibal Holocaust,” “Jungle Holocaust,” and the tamer “Slave of the Cannibal God” soon after.
Eaten Alive – Another film from Umberto Lenzi, distinguished director of Cannibal Ferox. This one is about a fine blonde-haired bombshell who is searching for her sister in the jungle. She gets encourage from an adventurous Indiana Jones type guy unprejudiced a lot less cartoony. On their draw they peruse a point to of cannibalism before them from a local tribe and are understandably timid by this and now want to net as far away from this dwelling as possible. They are soon captured though by a tribe, but they soon win out it isn’t the cannibal tribe but one that her sister belongs to, that has a obedient number of english-speaking Americans in it. They are brought to the tribe’s town that they live in and protect from the cannibals inhabiting the surrounding jungle. The tribe’s leader is an American who believes in “purification” and such, something to do with cleansing yourself. For instance no alcohol is allowed in this residence and if this guy finds you with it, judge yourself next to be carted out of the state, given a gun and a flashlight and then told “trustworthy luck with the cannibals”. There is a funeral procession occuring and the main character, miss blonde bombshell, spots her brunnette sister as portion of the procession. They spy as the widow of the man the funeral is for is systematically screwed by her three brother-in-laws to “shatter the ties of marriage”. Afterwards our protagonist finally gets a chance to command with her sister and her sister seems rather adamant about being a fraction of this tribe and not wanting to leave. Exquisite soon our protagonist and the Indiana Jones type dude with her are called for a meeting with everyone else, and everyone is given some irregular drink. Indiana Jones dude is given it but refuses to drink saying it’s drugged. For this he is tied up and made a prisoner. The blonde drinks it willingly and soon goes into an almost catatonic daze where she follows orders obediently and the ruler of this tribe takes her up to his rooms where he snaps a snake in half spilling it’s blood all over a long cylindular object, a dildo. He then begins violently shoving it into our blonde protagonist. All the while the best music you heard in Cannibal Ferox is playing proper here. It was this music and the impact of this scene(despite not graphically showing the dildo penetrating her) that got me completely into this movie from this point on. This film has a lot of similiarites to Ferox besides the same music in obvious scenes, and those that were fans of it won’t be dissapointed. The climax of this one is simply fabulous, probably mostly because it was women being butchered and eaten instead of guys this time. Both are fantastic films of the highest caliber of fear movie. Both approach very highly recommended from me.
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